Tanya Bonakdar Gallery is pleased to announce Kelly Akashi: Infinite Body, the artist’ second solo exhibition with the gallery, on view in New York from April 27 –June 10, 2023.
Exploring the biological memory of the body through the language of geology, Infinite Body presents materially diverse translations of the artist’ personal and shared experiences along a broader temporal landscape. Throughout the exhibition, cast representations of the artist’ body are broken into pieces, mended together, and merged with other representations of natural bodies on large rammed earth platforms. The fragmented body becomes a poetic experiment encapsulating the impermanence of life while also reflecting the romance and history of material processes. The body as a vessel of consciousness is conceptually connected to altar-
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Downstairs, a pair of the artist’ cast bronze hands interlock in the form of vesica piscis, a geometric symbol formed by the intersection of two discs. With many historical references, this overlapping shape brings two bodies together, the physical and spiritual. Glass flowers are intertwined around the fingers, growing out of the merging worlds.
Presented on the two largest platforms are several sculptures made from carved stone, bronze, cast crystal, hand-
Throughout the exhibition, friendship necklaces from broken relationships accompany voluminous glass leaves. The recognizable jewelry signifies one part of a meaningful relationship, fragmented and separated between bodies. These contemporary artifacts speak to shared and individual senses of time and history. Tiny formations made from pieces of chewing gum are also affixed to the leaves. Enveloped in saliva, the scent of spearmint or cinnamon leaves its trace in the air temporarily.
An intricate network of borosilicate glass, formed into a large orb, slowly rotates on a circular concrete pedestal under the skylight upstairs. Resembling a planetary body, delicate glass cherry blossoms grow from its core while its roots branch inward and internally. In her practice, cherry blossoms are incorporated to reference Hanami, the Japanese tradition of appreciating ephemeral cherry tree blooms. This fleeting notion of time captures the impermanence of nature and our bodily existence.
Kelly Akashi studio, courtesy the artist
Mapping time in connection to the past and future, Akashi’ new series of photographs are made from large astronomy glass plate negatives taken by telescopes. Focusing on nebulas, this body of photographs consists of contact prints that document the creation and dissolution of star formations. In NGC 7293, known commonly as the Helix Nebula, the gaseous body of a star is pictured as it slowly loses its outer layers to the cosmic landscape. The infinite vastness of these cosmological landscapes mirrors the cyclical nature of the geological particles presented throughout the exhibition, while simultaneously observing the incomprehensible notion of deep time.
In the adjacent room, a large bronze thistle hangs from the ceiling; its prickly surface and threatening bloom is adorned with small lights. Underneath this work, a crystal cast of the artist’ torso is engulfed by a thorny bronze cage-
Born in 1983 in Los Angeles, Kelly Akashi currently lives and works in Los Angeles, California. Winner of the 2022 Art + Technology Lab Grant at LACMA, Akashi also received the 2019 Carolyn Glasoe Bailey Foundation Art Prize and completed a residency at the foundation in Ojai, California. Other residencies include ARCH Athens, Greece (2019) and Headlands Center for the Arts, Sausalito, CA (2019), both of which concluded with a solo exhibition.
Installation view,Kelly Akashi, Infinite Body, Tanya Bonakdar Gallery, New York, 2023. Photo by Pierre Le Hors
Exhibition 27 April -
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